Adam Gillam is in Conversations Around Marlow Moss curated by Andrew Bick & Katrin Blannin at & Model in Leeds, 12 June – 18 July http://www.andmodel.com/exhibitions_current.htm

KAYDE ANOBILE is showing work in Objects In/Of Migration at the Allard Pierson Museum, Amsterdam.

Alice Walton is one of the participating artists in PIGDOGANDMONKEYFESTOS curated by Shaun Doyle & Mally Mallinson at Airspace Gallery in Stoke on Trent. 2 May – 7 June

George Eksts participated in the 2014 Artist-in-Residence program at the Bemis Center for Contemporary Arts, Omaha, Nebraska, USA.

Flora Parrott is one of the artists appearing in The Negligent Eye curated by Jo Stockham at The Bluecoat Gallery, Liverpool 8 March – 15 June 2014

Adam Gillam participated in This-Here-Now, a group show of four London based artists whose work explores the nature of objecthood and modes of representation. Curated by Julian Hughes Watts. Juan Bolivar, Adam Gillam, Hiroe Komai, Trisant. 23 Nov – 15 Dec at noformat gallery in Woolwich, London. http://www.noformat.co.uk

George Ekstsnhad work in Metamorphose(s) 13 October – 20 December at the Centre d’Art Contemporain Walter Benjamin in Perpignan, France.

Alice Walton participated in Album², at Five Years: 12th – 20th October. The other artists were Jo Addison, Anna Lucas, Louisa Martin, Melanie Stidolph and Maria Zahle.

Flora Parrott had work in ART IN YOUR PARK in Nottingham throughout October. This free, outdoor exhibition at Highfields University Park presented newly commissioned work; the other artists were Chris Meigh Andrews, Kirsty Tinkler, David Lane, Theresa Caruana, Frank Kent, Kate Davis and David Moore. www.artinyourpark.org

Alice Walton showed work in An Unnatural Theatre, a four-person show at Aid & Abet in Cambridge from 6 September – 12 October. The other artists were Sophie Clements, CJ Mahony and Jorge Rivera.

On 10 August Flora Parrott led a tour of the current exhibition at the London gallery of the Zabludowicz Collection. Painting in the 2.5th Dimension is a group exhibition of works from the Collection that explore the expanded territory of traditional 2-dimensional painting.

Suki Chan’s Interval, Interval II and Sleep Walk Sleep Talk were screened at Leandro Erlich’s Dalston House installation 5 – 7 July as part of a programme curated by Gareth Evans and commissioned by the Barbican Cinema Department. Ten acclaimed film-makers offered fresh perspectives on London.

George Eksts participated in the Toulouse International Art Festival 24 May to 23 June. Eksts was commissioned to make work for six rooms in the Fondation d’Entreprise Espace Ecureuil, one of the historic buildings in Toulouse that are venues for the festival. Other participating artists included Lindsay Seers, Howard Hodgkin, Kiki Smith, Julian Rosenfeldt.

Flora Parrott was awarded an Arts Council/British Council Artists’ International Development Fund award to research and make work in Brazil.

George Eksts has been selected for the 2014 Artist-in-Residence program at the Bemis Center for Contemporary Arts, Omaha, Nebraska, USA. 788 artists from around the world applied for eighteen spaces.

Tintype was one of the participating galleries in the inaugural EC1 & WC1 Galleries Day on Saturday 18 May.

Suki Chan’s film Still Point was shown at the Whitechapel Gallery on 25 April, a joint event with artist/film maker Becca Voelcker.

Serena Korda’s Aping the Beast was at Camden Arts Centre 8 March – 5 May. Featuring a four-metre tall monster puppet hand-made in latex, and two new films, The Prognosticator and The Transmitters, the show explored our fears of the unknown. Korda choreographed three performance events. The accompanying File Note publication is written by Jonathan Allen.
Aping the Beast is co-commissioned by an Artsadmin Jerwood Commission, Camden Arts Centre, London and Grundy Art Gallery, Blackpool. It tours to the Grundy Art Gallery, Blackpool 25 May – 3 August

George Eksts’s installation Incredible Utility is at the Hayward Concrete Café. Eksts presents a selection of visual conundrums from his ongoing series of Endless Videos. Hayward Gallery, Belvedere Road, London SE1 8XX.

Tintype showed at Art Projects in the LONDON ART FAIR 16 – 20 January 2013. Tintype’s stand featured the work of George Eksts, Flora Parrott and Alice Walton.

Serena Korda’s film Laid to Rest – The Brick Keeper’s Dance showed throughout the London Art Fair in the film screening room.

Suki Chan’s new film Still Point had a screening at the Deepam Cinema, Mahé in the Seychelles on the 18 January with a Q&A with the artist.

George Eksts is one of the artists in Bloomberg New Contemporaries 2012. The show opened as part of this year’s Liverpool Biennial in September and is at the ICA in London from 28 November – 13 January 2013.

Joby Williamson’s new commission from Vital Arts has been installed at the Royal London Hospital. Big Dipper references fairground rides and star-gazing; neon bunting appears to blow along a hospital corridor.

Suki Chan was in two group shows: Lightness at Mermaid Arts Centre, Bray, Ireland, 27 Sept – 6 Dec 2012 www.mermaidartscentre.ie and (b)orders, orders, (dis)orders (curated by Shay Mazloom) at Raf Gallery, Tehran, Iran.

Joby Williamson was commissioned by London Borough of Waltham Forest to inaugurate a new street gallery space. Entitled I Knew You Would Look Beautiful, it took the form of a large-scale hoarding 10m x 3m, featuring four locally found Post-It notes from his archive.

George Eksts’s work was selected for Festival Printemps de Septembre 2012 in Toulouse, France. The festival invited the directors of the leading European art institutions to make nominations: Eksts was chosen to represent the Royal College of Art.

Suki Chan’s One Hundred Seas Rising opened at Aspex Gallery, Portsmouth. Chan interviewed 100 people about their ideas for revolutionary change and adapted 100 school desks to house speakers. Each voice can be listened to individually but the sound is also presented as a sonic wave, reverberating across the gallery space like a revolutionary mob. A Hundred Seas Rising was commissioned by Aspex, University of Portsmouth CCi SPACE and Quay Arts in response to London 2012.

Joby Williamson was selected for the three-person show The Snake That Ate Its Own Tail (with Peter Lamb and Samu Raatikainen) at the Pori Art Museum in Pori, Finland in August 2012.

Serena Korda completed a commissioned project in Barton Hill, Bristol for Field Art Projects and Sovereign Housing called The Work as Movement Archive (July 2012). She collected people’s everyday, work-related movements and industrial sign language. Korda led a dance troupe and childrens’ choirs in a procession through the streets of Barton Hill. This culminated in the performance of an invented folk dance with music composed by Daniel O’Sullivan.

Suki Chan participated in SINOPTICON, an exhibition supported by Arts Council England and the National Trust’s ‘Trust New Art’ programme which took place in four venues in Plymouth, Spring 2012. SINOPTICON focused on chinoiserie, reassessing perceptions of Chinese culture and its influence on contemporary art. Other artists included Grayson Perry, Isaac Julien, Karen Tam, Christian Janowski, Erika Tan and Tsang Kin-wah.

Flora Parrott was selected for a residency at the Wysing Arts Centre. 617 artists from across the world applied for one of the twelve places on offer for Wysing Arts Centre’s 2012 residencies The Cosmos, The Mirror, and The Forest. Flora Parrott, along with Salvatore Arancio, Nilsson Pflugfelder, and Stuart Whipps, were the artists for The Cosmos.

Vital Arts commissioned Joby Williamson to create an installation for the children’s x-ray and imaging areas at the new Barts and the London Children’s Hospital in Whitechapel, London.

In March, Art on the Underground showed Sleep Walk Sleep Talk by Suki Chan at the new large-scale public screening project in London’s Canary Wharf station. The other artists in this series were Marcus Coates, Dryden Goodwin, Karen Mirza & Brad Butler and Melanie Manchot. The programme, entitled The City in the City, was presented by Film and Video Umbrella and Art on the Underground.

In a commission for the Museum of London’s 2012 exhibition Dickens and London, Suki Chan showed an installation of light boxes and neon. Chan used images and text from her own study of London at night, Sleep Walk Sleep Talk.

Kayde Anobile was selected for the El Nogal international residency in Madrid for May– June.

Suki Chan and Flora Parrott showed work in The Curator’s Egg, Altera Pars at the Anthony Reynolds Gallery in February – March. Some 100 individuals from the art world were invited to choose one work by a living artist.