The Duddo Field Club Audit William Cobbing

27 February – 4 April 2015

We are pleased to present William Cobbing’s The Duddo Field Club Audit.

The show features Cobbing’s recent ceramics and bas-relief sculptures. Retrograde images of ancient rock formations are the basis for oversized book covers of Albert Camus’ Myth of Sisyphus. Cobbing imprints letterpress blocks into malleable clay surfaces. Words appear and are then distorted or erased through the act of continually reworking the surface; language becomes a tactile experience.

 

William Cobbing

Installation view, 2014

William Cobbing

Untitled, 2014

2014 Glazed ceramic, books, wood, hessian 225 x 230 x 183 cm

William Cobbing (with Beth Collar)

Palimpsest, 2014

Double channel HD video

William Cobbing

Installation View, 2015

William Cobbing

Alpe d'Huez, 2014

William Cobbing

Le Markenstein, 2014

William Cobbing

Luz Ardiden, 2014

William Cobbing

Mont-Ventoux, 2014

William Cobbing

Peyragudes, 2014

William Cobbing

Plateau de Beille, 2014

William Cobbing

Sestriere, 2014

William Cobbing

Verbier, 2014

William Cobbing

Installation view, 2015

William Cobbing

Performance at Tintype, 2015

William Cobbing

Performance at Tintype, 2015