We are pleased to present William Cobbing’s The Duddo Field Club Audit.
The show features Cobbing’s recent ceramics and bas-relief sculptures. Retrograde images of ancient rock formations are the basis for oversized book covers of Albert Camus’ Myth of Sisyphus. Cobbing imprints letterpress blocks into malleable clay surfaces. Words appear and are then distorted or erased through the act of continually reworking the surface; language becomes a tactile experience.
William Cobbing
Installation view, 2014
William Cobbing
Untitled, 2014
2014 Glazed ceramic, books, wood, hessian 225 x 230 x 183 cm
William Cobbing (with Beth Collar)
Palimpsest, 2014
Double channel HD video
William Cobbing
Installation View, 2015
William Cobbing
Alpe d'Huez, 2014
William Cobbing
Le Markenstein, 2014
William Cobbing
Luz Ardiden, 2014
William Cobbing
Mont-Ventoux, 2014
William Cobbing
Peyragudes, 2014
William Cobbing
Plateau de Beille, 2014
William Cobbing
Sestriere, 2014
William Cobbing
Verbier, 2014
William Cobbing
Installation view, 2015
William Cobbing
Performance at Tintype, 2015
William Cobbing
Performance at Tintype, 2015