Slime moulds use a form of spatial ‘memory’ to navigate, despite not having a brain.
David Cheeseman primarily works with sculpture, installation and photography and his work often has an interdisciplinary focus. He is particularly interested in the methodologies and materiality of science.
David Cheeseman
Slime Mould Logic – Installation view, 2016
David Cheeseman
Slime Mould Logic, 2016
Silver birch, lead-glass, gold plated magnets, magnetic putty, borosilicate l: 356 x w: 168 x ht: 115cm
David Cheeseman
Slime Mould Logic (detail), 2016
David Cheeseman
Slime Mould Logic (detail), 2016
David Cheeseman
Less Than Said, 2016
Bog oak ht: 214 x w: 482 d: 21cm
David Cheeseman
Less Than Said (detail), 2016
David Cheeseman
Endless In Between, 2016
Bog oak, silicone, borosilicate, acetate, 200 x 122 x ht: 121cm
David Cheeseman
Endless In Between (detail), 2016
Bog oak, silicone, borosilicate, acetate 200 x 122 x ht: 121cm
David Cheeseman
Endless In Between (detail), 2016
Bog oak, silicone, borosilicate, acetate, 200 x 122 x ht: 121cm
David Cheeseman
Endless In Between (detail), 2016
Bog oak, silicone, borosilicate, acetate, 200 x 122 x ht: 121cm
David Cheeseman
A Few Drops More, 2016
Oak, stainless steel chain, glass. Also video (not shown) ht: 293 x w: 100 x d: 64cm
David Cheeseman
A Few Drops More (detail), 2016
Oak, stainless steel chain, glass
David Cheeseman
A Few Drops More (detail), 2016
David Cheeseman
More Than Enough, 2016
Phosphor bronze, industrial felt, brass pins 116 x 116cm
David Cheeseman
More Than Enough (detail), 2016